Saturday, December 4, 2010

Week 13 Application Exercise

Why is the Representation example representational and how does that operate for the viewer?
The Example in Dondis' book, on page 70-71, is considered to be representational for the reason that is consists of much detail, letting me understand what kind of birds they are. This knowledge obtained can reveal location, culture, and other geographical information.
In what way is the Abstraction example abstract, from what does the abstraction derive, what does it communicate to the viewer and how?

This example is clearly showing "selective use of the critical parts of the form." The happy face has become an iconic symbol for the 21st century. It denotes happiness, an expression of emotion without any visual contact.



Here is a picture that is representational of a smile and/or teeth. It is considered representational is for the reason that it consists of much detail. We know these to be teeth due to our culture coming to an agreement upon what this should be called. This image is showing large amounts of detail and has varying levels of categorization. 









 This is an example of abstract level of visual information. picture is extremely generalized and is universally understood. If you go to the other end of the world they anyone will recognize this image as a happy face. This is also broken down to to basic shapes. Its entirety consists of three circles and two lines. Another indicator for this abstract image is that it conveys emotion. One of the main things that causes this is caused by the immensely saturated yellow.





By definition A symbol is a "picture, written word...that denotes something resemblance." This symbol,in particular, happens to be referring to a business. The tooth symbol is nearly broken down to its mot simplest form. It only consists of a pair of curved lines. The tooth shaped lines indicate dentist. 

Tuesday, November 16, 2010

Week 12 Visual Techniques

Week 12 Blog Exercise / Visual Techniques








Visual Techniques:
instability
asymmetrical
irregularity
spontaneity
distortion
repetition
activeness
complexity

















Visual Techniques:
Symmetry
consistently
repetition
complexity
balanced






























Here are works of art from my two favorite artists. The top work is done by Alex Pardee and the bottom work is created by Shepard Fairey. These works of art contrast each other in many ways. One way is that the work above is asymmetrical and uses instability to capture emotion. Where as the work done by Shepard Fairey below it has balanced and symmetrical characteristics. These town pieces, though seeming to be completely contrasting, have a few visual techniques in common. Both of these works focus heavily on detail and complexity. These two works also share the visual technique of repetition. Pardee displays this in his destructive worms, where as Fairey continually repeats his patterns and icons through his work

Tuesday, November 2, 2010

Week 10 implied Motion

Here is a picture illustrated by, the mathematical genius, M.C. Escher. He is using a technique of implied lines by having individuals actively walking through the triangular formed composition. The triangle signifies diagonal action lines through the heart of the illustration. If you take a closer look you might notice that the triangle is never ending. Escher draws our eye through a labyrinth style maze of never-ending loops.





Here is a design projects assigned to me at Fullerton Junior college. In hopes to convey continuity, my thumb print design displays implied motion. The consistent lines draw your eye smoothly through the illustration. Starting with the dark focal spot in the upper left my eye follows the large loop in the upper right corner and quickly down to the center of the page. My eye makes a couple of loops then navigates back to the top of the page.

Saturday, October 23, 2010

Dimension/Depth/Space week 9


Here is an Art Deco style of graphic design that is exemplifies depth, scale and space. The first thing that I noticed was scale. If you take a look at the actual size of the characters they are different sizes. The one that is larger give the effect of being closer. The one that farther back appears to be further back in the page. There is also on that sits in between them. There are other elements that represent depth. Overlapping is being used in this design piece. It starts with the rays of light that appear to be in the back of this design. By placing buildings and people in front of these rays gives the feeling of depth. Another characteristic that shows this idea of depth/space is the hue and color. As the rays get closer to the building the hue begins to demising. Also if you loot at the first, and larger, character silhouette it is darker that the ones that are in smaller scale to the left of it. This design is also using one point linear perspective which is also creating dimension and depth.

Wednesday, October 20, 2010

Week 8 Tone and Color



TONE

     Tone in this design is just another Visual language element, like movement and texture. In this example it is using tone and color, which are considered to be relatively the same thing, to convey a message. The colors being used in this graphic are quite saturated. They are sending out this message of high energy and activity. His choice of color and tone are contrasting to the background color of black which is creating this push and pull relation between the figure in the foreground and the background. If you look at the black and white picture below the colored picture you will see how much the tone/color in the lines stick out from the background. Tone also deals with the content around the actual lines. The black background, if it were to be changed to grey would create a complete different feel. The tone of the background is also what makes this design so dramatic. It would not convey the same message if it were be a blue background or a green background. the contrast between the lines and the colored lines are also conveying this dramatic feeling. The colors being green and red are honing in on our medium and long cones. As a side note, these saturated colors of lines in the picture look much different when seen through the eyes of different animals. The designer of this chose to use analogous colors from the color wheel. 

Saturday, October 2, 2010

Week 6 Syntactical  Guidelines

Here is an artist that I have been following for about 5-6 years. He goes by the name of Shepard Fairey, but his companies, and more widely known name, Obey. He uses some  Syntactical guidelines as he constructed this design. The first thing that I noticed was how balanced this design is. This design is quite structured and symmetrical. His design is leveled and gives an overall sense of calmness.  He uses an all black background creating this positive and negative space relationship. The black area being the negative space and the beige being the foreground. He also developed this pattern like quality by repetition. His patterns are forcing our eyes to group each "ring" as an individual piece.












Here is my example of poor design. The text reads "foundation", which is a slight contradiction to what the graphics are telling me in this design. First off, the definition of foundation is as follows: "the natural or prepared ground or base on which some structure rests." Besides being unsymetrical, this design is highly sharpened as the black tree, and the focal point of my eye, is weighted heavily in the lower right hand corner. None of these things make me feel like a foundation is being, or going to be, built. There is an active diagonal direction created by the black tree to the right. This is creating stress in the design. THe design is weighted heavy towards the bottom of the page creating this unbalance composition. Unfortunately, none of these things make me feel like a foundation is being, or going to be, achieved.